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I Cannot Tell a Lie, ExactlyBy Mary Ladd Gavell
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It is the stuff of fiction: A collection of stories, never made public, is lost in a drawer for thirty years until, miraculously, the stories are discovered and published. It is also the true story of the book you are holding in your hands.Mary Ladd Gavell died in 1967 at the age of forty-seven, having published nothing in her lifetime. She was the managing editor of Psychiatry magazine in Washington, D.C., and after her death, her colleagues ran her story "The Rotifer" in the magazine as a tribute. The story was, somehow, plucked from that nonliterary journal and selected for The Best American Short Stories 1967. And again, thirty-three years later, "The Rotifer" emerged from near obscurity when John Updike selected it for The Best American Short Stories of the Century. In his Introduction to that collection, Updike called Gavell's story a "gem" and said that her writing was "feminism in literary action.""The Rotifer" has remained, until now, Gavell's only published work.The sixteen stories collected here include the anthologized classic "The Rotifer," in which a young woman learns the extent to which a bit of innocent interference, or the refusal to interfere, can change the course of lives. "The Swing" depicts a mother's strange reconnection to her adult son's childhood as she is summoned outside, night after night, by the creak of his old swing. "Baucis" introduces a woman longing for widowhood who is cheated of the respite she craves and whose last words are tragically misunderstood by her family. The title story, based on the last-minute announcement by Gavell's own son that he was in a school play, is infused with the gentle humor and vivid insights that make all of Mary Ladd Gavell's stories timeless and utterly beguiling.With the publication of I Cannot Tell a Lie, Exactly, Mary Ladd Gavell takes her rightful place among the best writers of her, and our, time.
- Amazon Sales Rank: #2916659 in Books
- Brand: Random House
- Published on: 2001-08-14
- Released on: 2001-08-14
- Original language: English
- Number of items: 1
- Dimensions: .85" h x 5.34" w x 7.80" l,
- Binding: Hardcover
- 240 pages
- Great product!
Amazon.com Review In the introduction to this first (and only) collection by the late Mary Ladd Gavell, who died in 1967, the author's son calls her "something of an early feminist." And indeed, the women she writes about do share certain feelings of emptiness and longing, whether they're elicited by inattentive husbands, the empty-nest syndrome, or postpartum depression. In "The Infant," for example, Gavell's protagonist, Margaret, feels little of the conventional adoration a mother is supposed to feel for her newborn child: "She looked at the little gnomelike figure in her lap, and she thought, I suppose he'll be cute when he's two, and we shall be terribly proud of him and wouldn't be able to imagine life without him, but all I can think of now is that I wish we hadn't had him." So much for maternal warmth. Yet the author guides us so nonchalantly through Margaret's state of mind that it becomes impossible to judge her.
Elsewhere, Gavell is similarly revealing about the complexities of women, the hardships they endure, and the possibilities they have the potential to encounter. Yet this former managing editor of Psychiatry magazine seldom takes a rigidly feminist stance: she's more concerned with the psychological labyrinths of the human mind. It's a shame that these beautifully written stories--of which only one, "The Rotifer," has been published before--will constitute Gavell's entire literary legacy. All the more reason, then, to read and cherish them. --Yvonne Schindler
From Publishers Weekly The story behind this collection is nearly as intriguing as the collection itself. The late Gavell was the managing editor of Psychiatry magazine and wrote stories, all unpublished, in her spare time. When she died at the age of 47 in 1967, the magazine published one of her stories "The Rotifer" as a tribute. The story was chosen for 1968's Best American Short Stories and then tabbed last year by John Updike for the Best American Short Stories of the Century, standing alongside those of Cather, Fitzgerald, Bellow, Carver and others. The 16 short fictions collected here prove that "The Rotifer" was no fluke; its easy complexity and sudden punch may remind readers of Alice Munro. Gavell's territory is that quintessential 1960s phenomenon, the nuclear family. With straightforward, cutting prose she unveils lives of elegant despair, much like Lorrie Moore, if Moore's characters were housewives who made appearances at the American Legion Hall. In "The Swing," an elderly woman is patiently sharing a house with an ailing husband. Their only son, emotionally reserved and uncommunicative, lives on the other side of town. One evening he walks into her backyard except that it's her son of 30 years earlier, a warm, enthusiastic seven-year-old boy. The denouement is a gentle surprise. Gavell demonstrates her range in "Sober, Exper., Work Guar.," in which she inhabits the unconsciously funny voice of a working-class plasterer plying his trade in an upper-class home. If anything dates these stories, it's that they feature neat endings, but many readers may find comfort in that now-rare style of short-story writing. Anthony Gavell's tribute to his mother and an introduction by Kaye Gibbons illuminate Gavell's qualities as a writer and as a woman of her times. Agent, David McCormick.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal Gavell's only published story, the puzzling but intriguing "The Rotifer," appeared posthumously in 1967 but was selected for The Best American Short Stories of that year and then again by John Updike as one of the Best American Short Stories of the Century. It is collected here with the other stories Gavell, an editor at Psychology Today??, wrote in her spare time. They are a mixed bag: most focus on fairly routine domestic issues but with an undercurrent of dissatisfaction and rage. In "Boys," a mother addresses her instinctual fear of the mysterious male species. "Baucis" tells of a woman whose family patronizes her and fails to understand her, right up to and beyond her death. The less successful stories employ flat, stock characters that seem to exist only to illustrate a predetermined point. The title tale is a charming family scene, though perhaps a bit too cute and with a telegraphed resolution. For larger public libraries.- Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis Copyright 2001 Reed Business Information, Inc.
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